Skip to content
Art Papers
"SOFT POWER" by Nicholas Gamso Spring 2020
Frieze
"Do Artists Have ‘Soft Power’ To Create Political Change?" By Adam Kleinman November 28, 2019
San Francisco Examiner
"‘Soft Power’ showcases world-changing art" by Anita Katz October 30, 2019
SF Chronicle
"SFMOMA’s ‘Soft Power’ displays the influence of art in the 21st century" by Charles Desmarais October 24, 2019
KQED
"'SOFT POWER' Pulls No Punches in SFMOMA's Global Contemporary Survey" By Sarah Hotchkiss October 24, 2019
Los Angeles Times
"Lunch with Eamon Ore-Giron: For the Peruvian American artist, tiny Intiraymi offers the taste and feel of Peru" by Carolina A. Miranda November 21, 2018
LUX Magazine
"How Los Angeles became a world-class art capital" Autumn 2018
KCRW
"Made in L.A. 2018" by Hunter Drohojowska-Philp June 7, 2018
Los Angeles Times
"Review: ‘Made in L.A. 2018': Why the Hammer biennial is the right show for disturbing times" by Christopher Knight June 5, 2018
Hyperallergic
"Resolutely Political LA Artists Focus on the Body in the City’s Latest Biennial" by Matt Stromberg June 4, 2018
The Georgia Review
"Smuggling the Sun" by Eamon Ore-Giron Summer 2017
Hyperallergic
"An Omnivorous Tour of the 2017 Whitney Biennial" by Benjamin Sutton March 13, 2017
Los Angeles Times
"Two perspectives on no way out by Eamon Ore-Giron" by Christopher Knight January 30, 2015
SFAQ
"Eamon Ore-Giron in Conversation with Julio César Morales" January 11, 2015
New York Times
"Eamon Ore-Giron: ‘Smuggling the Sun’" by Ken Johnson June 27, 2013
Artforum
"Critic's Pick: Eamon Ore-Giron at Nicelle Beauchene Gallery" by Nathaniel Lee May 2013
Back to Top