Firelei Báez - Artists - James Cohan clone

FIRELEI BÁEZ
the soft afternoon air as you hold us all in a single death (To breathe full and Free: a declaration, a re-visioning, a correction), 2021
Acryl-gouache and chine collé on archival printed paper
Dimensions variable

JCG11447

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FIRELEI BÁEZ
Untitled (A Map of the British Empire in America), 2021
Acrylic and oil on archival printed canvas
96 7/8 x 132 1/4 x 1 5/8 in.
245.9 x 335.8 x 4 cm

JCG11286

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FIRELEI BÁEZ
Untitled (Marine Hospital), 2021
Acrylic and oil on archival printed canvas
90 x 114 1/2 x 1 5/8 in.
228.6 x 290.8 x 4 cm

JCG11525

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FIRELEI BÁEZ
Untitled (City Incinerator 'B'), 2021
Acrylic and oil on archival printed canvas
88 5/8 x 113 3/4 x 1 5/8 in.
225.1 x 288.9 x 4 cm

JCG11528

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FIRELEI BÁEZ
Untitled (New Chart of the Windward Passages), 2020
Oil and acrylic on archival printed canvas
66 x 86 1/4 in.
167.6 x 219.1 cm

JCG11256

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FIRELEI BÁEZ
Untitled (Insularum Hispaniolae et Cubae), 2020
Oil and acrylic on archival printed canvas
64 x 80 in.
162.6 x 203.2 cm

JCG11258

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FIRELEI BÁEZ
On rest and resistance, Because we love you (to all those stolen from among us), 2020
Oil and acrylic on canvas
48 x 60 in
121.9 x 152.4 cm

JCG11573

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FIRELEI BÁEZ
Untitled (Temple of Time), 2020
Oil and acrylic on archival printed canvas
94 1/2 x 132 3/8 x 1 5/8 in.
240 x 336.2 x 4 cm

JCG11295

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FIRELEI BÁEZ
Untitled (United States Marine Hospital), 2019
Oil and acrylic on archival printed canvas
100 x 127 1/2 x 1 3/4 in
254 x 323.9 x 4.4 cm

JCG11077

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FIRELEI BÁEZ
Untitled (Baubo), 2020
Oil and acrylic on archival printed canvas
86 3/4 x 132 3/4 x 1 5/8 in
220.3 x 337 x 4 cm

JCG11287

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FIRELEI BÁEZ
Untitled (Anacaona), 2020
Oil and acrylic on archival printed canvas
96 3/8 x 127 3/8 in
244.6 x 323.5 cm

JCG11257

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FIRELEI BÁEZ
Untitled (Flow of merchandise in France on railways and waterways in the year 1856)

2020
Oil and acrylic on archival printed canvas
78 x 60 5/8 in
198.1 x 154 cm

JCG11292

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FIRELEI BÁEZ
Untitled (Le Jeu du Monde), 2020
Oil and acrylic on archival printed canvas
105 x 131 3/4 x 1 5/8 in
266.7 x 334.5 x 4 cm

(JCG11288)

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Dark crimson bio-morphic humanesque figure sprouting the head of a palm tree, its hunched back encrusted in large polypy seeds, crouches into a rushing wave of rich phyalo blue on an historical blueprint of a sugar factory.

FIRELEI BÁEZ
Convex (recalibrating a blind spot)

2019
Acrylic and oil on archival printed canvas
96 7/8 x 124 5/8 in
246.1 x 316.5 cm
(JCG11032)

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FIRELEI BÁEZ

19.604692°N 72.218596°W

2019

Commissioned by the High Line as a part of En Plein Air, April 2019 – March 2020

Photo by Timothy Schenck. Courtesy of the High Line.

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FIRELEI BÁEZ

19.604692°N 72.218596°W

2019

Commissioned by the High Line as a part of En Plein Air, April 2019 – March 2020

Photo by Timothy Schenck. Courtesy of the High Line.

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Installation including two paintings, blue wall and ceiling hangings, tropical foliage

FIRELEI BÁEZ

A Drexcyen chronocommons (To win the war you fought it sideways)

2019

Two paintings, hand-painted wooden frame, perforated tarp, printed mesh, handmade paper over found objects, plants, books, Oman incense, palo santo
373 1/4 x 447 x 157 in
JCG10437

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FIRELEI BÁEZ
Tignon for Ayda Weddo (or that which a center can not hold)

2019
Acrylic and oil on archival printed canvas
91 1/2 x 114 1/4 in
JCG10459

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Industrial diagram with overlaid figure, tropical flowers, painted water

FIRELEI BÁEZ

the trace, whether we are attending to it or not (a space for each other's breathing)

2019
Acrylic, oil, and transfer on archival printed canvas
90 x 114 3/8 in
228.6 x 290.5 cm
JCG10455

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Industrial diagram with overlaid figure, purple, blue stain, proliferating hair motif

FIRELEI BÁEZ

Untitled (Central Power Station)

2019
Acrylic and oil on archival printed canvas
96 7/8 x 124 5/8 in
JCG10432

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Map of northeast United States with overlaid, variously painted figure, hair motifs

FIRELEI BÁEZ
Chrono-DREAMer

2019
Acrylic and oil on archival printed canvas
72 x 48 in
JCG10251

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Industrial diagram with overlaid figure holding palm, red fist, slum

FIRELEI BÁEZ

Beauty as a practice (to see in discrete angles and blocks)

2019
Acrylic, oil, and transfer on archival printed canvas
89 x 114 3/8 in
JCG10457

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Industrial diagram with overlaid figures in floral pattern, painted water

FIRELEI BÁEZ

An open horizon (or the stillness of a wound)

2019
Acrylic and oil on archival printed canvas
89 1/2 x 114 in
JCG10458

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FIRELEI BÁEZ
Je bâtis a roches mon langage, 2019
Perforated tarp, printed mesh, artificial and real plants; two paintings:
For Marie-Claire Heureuse Félicité Bonheur (a reconstituted echo, to be spoken, complete), 2019, Acrylic and oil on canvas, frame
Errantry (a minor key that alters the structure of the major form within), 2019, Oil, acrylic, and gold foil on canvas

Installation view: Firelei Báez, new work, Witte de With Center for Contemporary Art, 27 January - 12 May 2019

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FIRELEI BÁEZ
Je bâtis a roches mon langage, 2019
Perforated tarp, printed mesh, artificial and real plants; two paintings:
For Marie-Claire Heureuse Félicité Bonheur (a reconstituted echo, to be spoken, complete), 2019, Acrylic and oil on canvas, frame
Errantry (a minor key that alters the structure of the major form within), 2019, Oil, acrylic, and gold foil on canvas

Installation view: Firelei Báez, new work, Witte de With Center for Contemporary Art, 27 January - 12 May 2019

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FIRELEI BÁEZ

Coqueta (history composed of ruptures)

2019

Arylic and oil on canvas

90 x 114 in

JCG10294

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FIRELEI BÁEZ
May 19, 2017, 6:05 p.m. (an idiom playing out its history)
2018
Oil, oil stick and graphite over canvas
92 x 120 inches
JCG10227

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FIRELEI BÁEZ
For Améthyste and Athénaïre (Exiled Muses Beyond Jean Luc Nancy’s Canon), Anacaonas
2018
Oil on canvas and wood panel, hand-painted frames

Installation view: The Modern Window: Firelei Báez, The Museum of Modern Art, New York, 2018-2019

Digital Image © 2018 The Museum of Modern Art, New York
Photographed by John Wronn

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FIRELEI BÁEZ
For Améthyste and Athénaïre (Exiled Muses Beyond Jean Luc Nancy’s Canon), Anacaonas
2018
Oil on canvas and wood panel, hand-painted frames

120 x 252 inches

Installation view: The Modern Window: Firelei Báez, The Museum of Modern Art, New York, 2018-2019
Photograph by Kurt Heumiller

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FIRELEI BÁEZ
Ramo de Fuego (so the songs could speak)

2019
Oil on canvas
72 x 60 inches
JCG10252

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FIRELEI BÁEZ
can you not see that we are implicated in its evolution?, 2017
Oil on canvas
84 x 60 in
213.4 x 152.4 cm
(JCG11395)

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FIRELEI BÁEZ
For Marie-Louise Coidavid, exiled, keeper of order, Anacaona, 2017
Oil on canvas
84 x 60 in
213.4 x 152.4 cm
(ZNI0337)

Photo: Amy Pearman, Boyd Pearman Photography

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FIRELEI BÁEZ

Man Without a Country (aka anthropophagist wading in the Artibonite River)

2014-15

Gouache, ink and chine-collé on 220 deaccessioned book pages

106 ¼ x 252 in.

Firelei Báez: Bloodlines, Pérez Art Museum Miami (PAMM), FL, 15 October 2015 - 6 March 2016

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FIRELEI BÁEZ

Detail: Man Without a Country (aka anthropophagist wading in the Artibonite River)

2014-15

Gouache, ink and chine-collé on 220 deaccessioned book pages

106 ¼ x 252 in.

Firelei Báez: Bloodlines, Pérez Art Museum Miami (PAMM), FL, 15 October 2015 - 6 March 2016

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FIRELEI BÁEZ

Installation view: Ciguapa Antellana, me llamo sueño de la madrugada (who more sci-fi than us)

2018

Glass mosaic

Permanent commission: MTA Arts & Design, 163 St-Amsterdam Av Station, Washington Heights, New York, NY

Commissioned by Metropolitan Transportation Authority Arts & Design. Photo: Osheen Harruthoonyan.

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FIRELEI BÁEZ

Installation view: Ciguapa Antellana, me llamo sueño de la madrugada (who more sci-fi than us)

2018

Glass mosaic

Permanent commission: MTA Arts & Design, 163 St-Amsterdam Av Station, Washington Heights, New York, NY

Commissioned by Metropolitan Transportation Authority Arts & Design. Photo: Osheen Harruthoonyan.

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FIRELEI BÁEZ

for Marie-Louise Coidavid, exiled, keeper of order, Anacaona

2018

Oil on canvas

Installation view: 10th Berlin Biennale, Akademie der Künste (Hanseatenweg), Berlin, June 9 - September 9, 2018

Photo: Timo Ohler

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FIRELEI BÁEZ

19° 36’ 16.89“ N, 72° 13’ 6.95“ W) / (52.4042° N, 13.0385° E

2018

Acrylic, sheetrock, steel

Installation view: 10th Berlin Biennale, Akademie der Künste (Hanseatenweg), Berlin, June 9 - September 9, 2018

Photo: Timo Ohler

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FIRELEI BÁEZ

19° 36’ 16.89“ N, 72° 13’ 6.95“ W) / (52.4042° N, 13.0385° E

2018

Acrylic, sheetrock, steel

Installation view: 10th Berlin Biennale, Akademie der Künste (Hanseatenweg), Berlin, June 9 - September 9, 2018

Photo: Timo Ohler

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FIRELEI BÁEZ
Given the ground ( the fact that it amazes me does not mean I relinquish it), An irreducible singularity (speaking to the space you fill and you keep)
2017
Acrylic and oil on canvas
Installation view: Future Generation Art Prize, 57th Venice Biennale, Venice, Italy, May 13 - September 26, 2017

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FIRELEI BÁEZ
DREAMer (a demand for opacity that weaves no boundaries)
2017
Acrylic and oil on canvas
Installation view: Future Generation Art Prize, 57th Venice Biennale, Venice, Italy, May 13 - September 26, 2017

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FIRELEI BÁEZ

Installation view: Firelei Báez: Bloodlines, The Andy Warhol Museum, Pittsburgh, PA, February 17 – May 21, 2017

Photo: Abby Warhola

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FIRELEI BÁEZ

A Fever, a daydream

2017

Acrylic on canvas

40 x 64 in.

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FIRELEI BÁEZ

To See Beyond Its Walls (and access the places that lie beyond)

2017

Installation view: Firelei Báez: To See Beyond Its Walls (and access the places that lie beyond), Kemper Museum of Contemporary Art, Kansas City, MO, August 2017 - June 2018

Bebe and Crosby Kemper Collection

Museum purchase made possible by a gift from the R. C. Kemper Charitable Trust

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FIRELEI BÁEZ

Collector of shouts (April 21)

2016

Acrylic on Yupo paper

79 x 60 in.

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FIRELEI BÁEZ

a name that doesn't exist

2016

Acrylic on canvas

72 x 60 in

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FIRELEI BÁEZ

Goldie (in Clio's presence)

2016

Acrylic on canvas

72 x 36 in.

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FIRELEI BÁEZ

Can I Pass? Introducing the Paper Bag to the Fan Test for the Month of June

2011

Gouache, ink and graphite on panel

96 1/8 x 107 in.

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FIRELEI BÁEZ

Four of the sun (or the talking cure)

2016

Acrylic on Yupo paper

38 x 30 in.

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FIRELEI BÁEZ

A modest mythology of walls

2016

Acrylic on canvas

60 x 48 in.

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FIRELEI BÁEZ

Sans-Souci (This Threshold between a dematerialized and a historicized body)
2015
Acrylic and ink on linen
108 x 74 inches

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FIRELEI BÁEZ

Ciguapa Pantera (to all the goods and pleasures of this world)

2015

Acrylic and ink on paper

95 × 65 in.

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