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Canberra Times
"Xu Zhen's Eternity vs. Evolution at the National Gallery of Australia plays with assumptions" by Sasha Grishin December 7, 2020
Artsy
"At Asia Society’s Inaugural Triennial, Artists Consider the Role of Borders in a Global Society" by Harley Wong November 12, 2020
Neos Kosmos
"Xu Zhen: Eternity vs Evolution from the National Gallery of Australia to the world" by Dean Kalimniou July 20, 2020
Hyperallergic
"For Six Hours, Four Performers Freeze in the Act of Falling," by Renée Reizman
LA Weekly
“Collecting Performance: Xu Zhen’s 'In Just a Blink of an Eye' at MOCA,” by Shana Nys Dambrot
Los Angeles Times
"Can performance art be owned? Why the genre is often missing in museum collections," by Deborah Vankin
Los Angeles Times
"Why is this man suspended midair at MOCA? And how?" by Deborah Vankin
Artnet News
"The 6 Best—and Riskiest—Artworks at Art Basel Unlimited, Where the Fair’s Supersized Artwork Shines," By Tim Schneider & Kate Brown 6/11/2019
Post Magazine
"Chinese artist Xu Zhen’s US$200,000 ‘supermarket’ makes a dig at commercialisation of creativity," by Enid Tsui
CNN
"From prankster to CEO: Chinese artist Xu Zhen's surprising evolution" by oscar Holland and Serenitie Wang October 6, 2017
The Village Voice
"Flirtatious Pink, Not Revolutionary Red, Is Xu Zhen’s Color," by Mary Wang
ARTnews
"Like Frosting on a Birthday Cake: Xu Zhen at James Cohan," by Barbara Pollack
Artforum
"Xu Zhen," by Chelsea Liu
Blouin Artinfo
"20th Sydney Biennale Q&A: Xu Zhen's Mutilated Sculptures," Nicholas Forrest
Art + Auction
"25 Most Collectible Midcareer Artists: Xu Zhen," by Angela Schuster
Kaleidoscope Asia
"Xu Zhen," by Xiaowen Zhu
Parkett
"Xu Zhen," by Phillippe Pirotte, et al.
Hyperallergic
The Long Museum Presents ‘Xu Zhen Solo Exhibition’
Art in America
"Xu Zhen’s Brand of Armory Show," by Richard Vine
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