Kirk Mangus - A pot, a joke, a rhythm, a theory - Exhibitions

Images

Green Guardian, 2008, Earthenware and colored slips and glazes, 16 1/2 x 13 x 13 1/2 in.

Kat, 2008, Earthenware and colored slips and glazes, 16 1/2 x 12 x 14 in.

Pearl, 2008, Earthenware and colored slips and glazes, 11 1/2 x 9 x 10 1/2 in.

Life In Suspension, 1989, Ink on mulberry paper, 56 1/2 x 28 3/4 in.

Bountiful Life Red Luster, 1986, Luster glazed earthenware, 8 1/2 x 11 x 5 in.

Red Luster Floating World, 1986, Luster glazed earthenware, 4 3/4 x 9 7/8 x 4 1/4 in.

Only Cat, 1994, Luster glazed earthenware, 4 3/4 x 8 1/8 x 3 1/4 in.

Three Ships Amphora, 2009, Glazed earthenware, 12 1/4 x 4 x 4 in.

Flow of Life Bottle, 1999, Salt glazed stoneware, 16 1/4 x 6 1/2 x 6 1/2 in.

Two Femme Vase, 1986, Carved and wood fired stoneware, 16 x 4 3/4 x 4 in.

Dreaming Blue, 1980, Reduction glazed porcelain, 11 1/4 x 4 x 4 in.

Man Swimming In the Ocean of Life, 1980, Wood fired porcelain, 8 1/2 x 6 1/4 x 6 1/4 in. including lid

Friendly Creatures In the Garden, 1997, Glazed porcelain, 3 1/2 x 7 1/8 x 7 in.

Pale King Carrot, 1984, Salt glazed porcelain, 8 1/2 x 5 1/4 x 5 1/4 in.

Over Seas, 1980, Glazed porcelain, 10 x 6 1/2 x 6 1/2 in.

King Carrot Head, 1984, Salt glazed porcelain, 8 x 4 5/8 x 4 1/2 in.

Two Men and Two Houses Face Vase,1982, Earthenware and colored slips and glazes, 10 1/4 x 6 x 4 3/4 in.

David and Insect Face Vase, 1982, Earthenware and colored engobes, 9 5/8 x 5 1/4 x 4 1/4 in.

Bunny Love Amphora, 1992, Luster glazed earthenware, 12 1/4 x 6 1/4 x 6 in.

Jacky Amphora, 1993, Salt and luster glazed stoneware, 9 1/4 x 5 1/2 x 4 1/2 in.

Pinky Face, 2009, Glazed earthenware, 9 1/4 x 4 3/4 x 4 1/2 in. including lid

Golden Guardian and Girl, 2009, Glazed earthenware, 9 1/4 x 6 x 6 in. including lid

Golden Child, 2009, Glazed earthenware, 9 1/4 x 6 x 6 in. including lid

Basket Ziggurat, 2008, Glazed earthenware, 16 1/2 x 8 1/4 x 8 1/4 in.

A Day In the Neighborhood, 1999, Ink on mulberry paper, 17 x 12 1/2 in.

Mermaid in Paradise, 1999, Ink on mulberry paper, 17 x 12 1/2 in.

Journey to Yelpa, 1999, Ink on mulberry paper, 17 x 12 1/2 in.

Views,1999, Ink on mulberry paper, 17 x 12 1/2 in.

The Gang, 1990, Ink on mulberry paper, 17 x 12 1/2 in.

Everyone Was There, 1988, Ink on mulberry paper, 17 x 12 1/2 in.

Basket Head, 1988, Ink on mulberry paper, 17 x 12 1/2 in.

Basket Armor, 1988, Ink on mulberry paper, 17 x 12 1/2 in.

Woven Body, 1989, Ink on mulberry paper, 17 x 12 1/2 in.

Chubby Bunny, c.1987, Stoneware and colored slips, 48 x 24 1/4 x 24 in.

Bronze Femme IV, 1986, Stoneware and bronze glaze, 38 x 15 x 12 in.

Rainbow Femme, c.1987, Stoneware and colored slips, 44 1/2 x 21 1/4 x 17 1/2 in.

Girl With Ponytail Femme, 1986-87, Stoneware and colored slips, 51 1/2 x 20 1/4 x 17 1/4 in.

Lakeside Summer Yellow Femme, 1989, Ink and watercolor on paper, 87 1/2 x 52 1/4 in.

Animal Love, 1999, Carved and wood fired stoneware, 36 x 8 1/2 x 8 in.

Two Guardians Jar, 1984, Carved and wood fired stoneware, 27 x 16 x 15 1/2 in.

Cat Girl On the Farm Jar, 1985, Carved and wood fired stoneware, 36 3/4 x 17 1/2 x 17 in.

, Love &amp; War Amphora, 1998, Carved and wood fired stoneware, 30 1/4 x 11 x 10 1/2 in.

Love & War Amphora, 1998, Carved and wood fired stoneware, 30 1/4 x 11 x 10 1/2 in.

Wild Life Jar, 1983, Carved and wood fired stoneware, 36 1/2 x 17 1/2 x 18 in.

Pymatuming, 2000, Ink on mulberry paper, 56 1/4 x 28 1/4 in.

Cat Girl In Paradise, 1997, Ink on mulberry paper, 56 1/2 x 28 1/2 in.

Press Release

Kirk Mangus - A pot, a joke, a rhythm, a theory - Exhibitions - James Cohan clone

KIRK MANGUS, Green Guardian, 2008 Earthenware, colored slips and glazes, 16 1/2 x 13 1/2 x 13 1/2 in.

OPENING RECEPTION: FRIDAY MAY 20 6-8PM

James Cohan is pleased to present the exhibition A pot, a joke, a rhythm, a theory, by the late Kirk Mangus (1952-2013) opening at the gallery’s Lower East Side location May 20 and running through June 26. Following a major career retrospective at MOCA Cleveland, this is Mangus’s first exhibition in New York and showcases a selection of ceramics and drawings that represent 30 years of the artist’s prolific output.

Mangus was a beloved and celebrated member of the international ceramics community, as well as a dedicated teacher and mentor at Kent State University for over three decades. Over the course of his career, his work drew on a multitude of influences, from comics to prehistoric animal figures, modernist abstraction, American folk, Japanese woodblock prints, Meso-American archetypes, and Asian ceramic traditions.

His graphic sensibility, heavily incised surfaces, as well as custom stamping and applied decoration with signature motifs including animals, plants, and bodies draw equally from Mangus’s observation as from his own invention. A masterful raconteur, Mangus was inspired by the long-standing traditions of storytelling through clay. Creating a mythological world of his daily experience, he developed a rich cast of characters drawn from his own life and interests that populate his drawings and ceramic works.

Characterized by their rough-hewn figures, a playful, gestural style, and experimental glazing, Mangus’s forms teem with life and energy. “I do a lot of drawings,” Mangus wrote, “both on paper and clay. This work is about recording a gesture; putting down a mark…” It is this experimental nature, expression of urgency and untapped stream of creation that unites Mangus’s work across style and medium.

Delighting in finding beauty in the most unlikely of forms, Mangus’s work reveals itself as beautiful through familiarity and consideration. As curator Rose Bouthillier describes, “Mangus sought to re-negotiate concepts of beauty and mastery, proposing an unguarded, impassioned way of thinking, making, living, and loving.”

The subject of numerous solo exhibitions including a major career retrospective, Things Love, at MOCA Cleveland in 2014, Mangus’s work has been widely exhibited both nationally and internationally since the mid-1970s. He has also been included in numerous group exhibitions, including Carnegie Museum of Art, Pittsburgh; Akron Museum of Art; Cleveland Museum of Art; Seattle Art Museum; Seoul National Museum of Contemporary Art; Gummeson Gallery, Stockholm; and the Finnish Craft Museum, Helsinki.

Mangus’s work is housed in a number of national and international collections, including Amsterdam Municipal Collection, Cleveland Museum of Art, Cranbrook Art Museum, Sandy Besser Collection at DeYoung Museum, National Museum of Contemporary Art, Seoul, Newark Museum of Art; and the Northern Clay Center, Minneapolis.

For press inquiries, please contact Jeffrey Waldron at jwaldron@jamescohan.com or 212-714-9500.

For other inquiries, please contact Allison Galgiani at agalgiani@jamescohan.com or 212-714-9500.

Download PDF